TV programs worth watching
Sun Dec 14 — Sat Dec 27
During WW2, the British Government's agency for carrying out assassinations and other dirty work was the Special Operation Executive (SOE), which officially didn't even exist. It was SOE that sent a team into Czechoslovakia that assassinated Heydrich, against the wishes of the Czech Resistance and at the subsequent cost of hundreds of Czech lives. The two-part docu-drama Killing Hitler (SBS 7.30pm Sundays Dec 14 and 21) reveals the formerly top-secret Operation Foxley, an SOE project to assassinate Hitler himself. They didn't get to do it, so the matter is essentially academic, but the program intersperses its recreation with "expert commentary on the likelihood of it being a success". Hitler alone did not cause WW2: his death would not have stopped it. German imperialism would still have wanted fascism at home and imperial conquest abroad. Only the defeat of fascism could — and did — bring WW2 to an end. How do you get your camera up really close to an elephant herd? You miniaturise it, make it remote controlled, mount it on a little mobile platform (like a remote controlled toy car) and cover it with dry elephant dung (either real or simulated). The result is "dung cam" and it produced some amazing footage for Elephants: Spy in the Herd (ABC 7.30pm Sunday Dec 14). At one point an elephant picks up the camera (the dung with the odd smell and whirring noises) and walks around with it, still filming: "Elevision", archly announces narrator David Attenborough. Like some of the classical Greek dramatists, Thomas Hardy's themes tended to be buffeted by an indifferent force that rules the world and inflicts on humans the sufferings and ironies of life and love. The following line, referring to Michael Henchard, the central character in Hardy's 1886 novel The Mayor of Casterbridge, could equally apply to the characters of most of his novels: "Through a combination of unhappy circumstances, troubles accumulate." In Henchard's case, he goes from drunken poverty to position and wealth through hardwork and sobriety, then, through greed, back to poverty. The two part British ITV adaptation (ABC 8.30pm Sundays Dec 14 and 21) treats the work as a moody love story, which is probably as good as any other approach. I have not seen Dreaming in Motion (SBS 9.30pm Sunday Dec 14), a package of five contemporary Australian short films, the result of SBS Independent's Third Indigenous Drama Initiative, but they sound excellent: "wickedly funny", "moving", "poetic", "deeply moving yet humorous", and so on. The work of five young Aboriginal writer-directors they star actors like Sophie Lee (The Castle, Muriels Wedding), David Gulpilil (The Tracker, Rabbit Proof Fence) and Aaron Pederson (MDA, Water Rats). The German-made documentary, September 11: The Intelligence Failures, screening on Cutting Edge (SBS 8.30pm Tuesday Dec 16), recounts numerous occasions during the '90s, when US and foreign intelligence services received specific warnings about plans to crash planes into major New York buildings. In fact, as SBS puts it, "a joint Congressional enquiry found that US intelligence agencies knew the plan, the goals, even the perpetrators, and could have prevented the terrorist attacks of 9/11". Why didn't they then? According to the program, the reason is a mixture of scandals and lies "in a litany of mutual distrust, non-co-operation and dreadful ignorance". If there were also those in the US Government and intelligence community who did not want the attacks thwarted, this program is not going to venture an opinion. Directed by Oscar, Emmy and Royal Television Society award- winning documentary filmmaker Vikram Jayanti, The Christmas Truce (ABC 8.30pm Monday Dec 22) recalls an event on the Western Front in 1914. On Christmas Eve, during a lull in the fighting, troops on both sides came out of their trenches, tentatively at first and then in droves, and "fraternised". They exchanged tobacco and mementos with the enemy, sang carrols and played football together. The Christmas Truce, made for the notoriously unreliable History Channel, maintains that this spontaneous (temporary) rejection of war "almost transformed the course of world history forever". That is nonsense, but it did send shivers through the top brass, governments and big business on both sides in WW1. The moving story of the Christmas truce is brought to life through cinematic recreations, never-before-published photos, rare archival film footage, first-hand oral histories from the British Imperial War Museum and exclusive interviews. A few weeks ago, Living Famously included a dreadfully superficial, inaccurate and dull account of the life of Marlene Dietrich. The Masterpiece documentary Marlene Dietrich: Her Own Song (SBS 10.00pm Tuesday Dec 23) may be considerably more interesting. Directed by J David Riva, Dietrich's grandson, it allegedly explores her "political mission", the way both sides in WW2 tried to use her for propaganda, and her own private agenda. The film that made her famous, Josef Von Sternberg's The Blue Angel (shot in Berlin in English and German versions), screens as the Cinema Classic this week (SBS 11.30pm Sunday Dec 28). Little Wolf's Book Of Badness (ABC 8.00pm Christmas Eve) is a children's cartoon based on Ian Whybrow's best-selling books. Although it has a certain charm, it has, sadly, been animated with little imagination. Simply making the characters in Whybrow's illustrations move across the backgrounds does not take advantage of the possibilities of the cartoon medium. It's as though the great animators of the Warner Brother's cartoons had never existed. There are no less than eight guests on the Parkinson: Christmas Special (ABC 8.30pm Christmas Eve). Three of them are worth bothering with. One is Barry Humphries, who relies on blue humour to get him through two stints as first Dame Edna and then as Sir Les Patterson. Another is Jamaican poet Benjamin Zephaniah who is a funny man, and the third is magician Mark Paul, who combines card tricks with a "mind reading" act that is damn good. Otherwise, the show is tedious. Literal interpretations of the Bible are a great source of time wasting. The Mystery of The Three Kings (SBS 8.30pm Christmas Eve) spends an hour "searching for the truth behind the mystery". It ponders such weighty questions as: Were there really three of them, or more? Were they kings — or astronomers? Best of all, could a star have guided the kings to Jesus in a stable in Bethlehem? (Neat and very precise piece of celestial navigation if it did!) And more of the same pointless speculation. If Christmas Eve is a bit of a televisual waste of space, Christmas Day and Boxing Day are a sackful of repeats, some of them for the umpteenth time. Merry Christmas, Mr Bean (ABC 8.00pm Xmas Day) is amusing as always, but how many times can you watch Rowan Atkinson spectacularly stuff up the stuffing of a turkey? Me And Mrs Jones (ABC 8.30pm Xmas Day) is a lightweight romantic comedy-drama featuring Robson Green as a tabloid journalist who gets to bed the (female) Prime Minister, Caroline Goodall, with the reluctant aid of his best friend (Michael Maloney, who played the psychotically devoted manservant Albumen in Believe Nothing). It's froth, with pretensions to be something deeper, but I've enjoyed it a couple of times now. My Family (ABC 8.00pm Boxing Day) was and remains a very forced series that struggles for laughs. Robert Lindsay's long- suffering husband does better than Zoe Wanamaker's steely wife but the kids have the best jokes. This episode's about average. Dalziel And Pascoe (ABC 8.30pm Boxing Day, part 2 screening 8.30pm Friday Jan 2) is the episode about murder at the fox hunt, with the aggressively uncouth Dalziel right in his element (or out of it) and enough suspects to singlehandedly solve unemployment among British actors. Also getting another repeat, possibly more welcome, is the three- part Series Five of Silent Witness (ABC 9.25pm Boxing Day), beginning with World Cruise, the episode about anti- Semitism and unpunished Nazis. Amanda Burton is at her prickly best as forensic pathologist, Sam Ryan. The Wright Brothers' Flying Machine (SBS 8.30pm Saturday Dec 27), screening to mark the centenary of the world's first powered flight at Kitty Hawk, North Carolina, reveals the popular image of the Wrights as amateur bicycle mechanics who tinkered their way into the sky to be a total myth. This BBC documentary by Ben Southwell explores their astonishing inventiveness and methodical approach to the problem of powered flight. It features exhilarating footage of flights by exclusively commissioned replicas that use the same original materials and the only existing Wright engine for the frail craft that first propelled humans towards the clouds.