TV programs worth watching
Sun May 2 — Sat May 8
The two-part documentary series A Species Odyssey, screening on Lost Worlds (SBS 8.30pm Sundays), is a French/Belgian co-production that sets forth the latest scientific hypotheses on the origins and development of the human race. Not being from the USA, it is mercifully free of the compromises and equivocations that most US documentaries on this subject are obliged to include in order to placate the religious lobby. The first episode, From the Rift to the Discovery of Fire, begins about eight million years ago with the formation of the Rift Valley in Africa and the draining of East Africa, creating the conditions for the development of primates that walked upright. From the seven species of the pre-human Australopithecus evolved, in time, the first species of the Homo genus, Homo habilis, author of a crucial invention: tools. Tools helped to increase food supply, leading to a vital physical mutation: the development of the brain. These first conquerors left the cradle of Africa to discover the ancient world. More than one and a half million years ago, they became Homo ergaster and Homo erectus, the first hominids to tame fire. Next week's episode follows the evolutionary trail from these early hominids to the appearance of Homo Sapiens, who began a new period of expansion, into the Americas and even reaching Australia. Budgeted at a remarkable three million Euros, making it one of the most expensive documentaries ever, A Species Odyssey uses the most sophisticated and advanced computer-graphic creation techniques to simulate the world of prehistory.Those of you who watched last week's episode of Foyle's War (ABC 8.30pm Sundays) will know that the new series is well up to the standard set by the first. But it is more than a period policier. Anthony Horowitz and his co-writers might present each episode as a detective story, but they are really studies of people and intricate interpersonal relationships in a time of national and social crisis. This week's episode, Among The Few, is set in September 1940 and deals with black-marketeering in stolen fuel, as well as murder, sexual indiscretion, illegitimate pregnancy and homosexuality. Sam gets to do some undercover detective work and Foyle's son gets himself in hot water again, but although we can be confidant that, in the best detective story tradition, Foyle will have unravelled the mystery by the end of the epsiode, this does not always mean that he gets his man (or woman). Vide last week's episode. SBS has a new drama series, Oz (SBS 10.00pm Mondays). The title does not refer to our fair homeland but to the land where Dorothy met the Scarecrow. Actually, it's a prison drama — in fact, a post-modernist Prisoner. The prison is the Oswald Maximum Security Prison with a modern, experimental unit called "Emerald City". Here the emphasis is on rehabilitation over retribution. However, survival remains top priority and fear is a constant companion. With so many US citizens, especially black and Hispanic, being incarcerated under conditions Amnesty labelled "a form of torture", there must be considerable scope for a realist drama series on the place of prison in US life. This is not it. Despite some contemporary trimmings (Eamonn Walker, for example, plays prisoner Kareem Said, a charismatic author and militant Muslim who considers himself a political prisoner) this is basically a rather gritty soap opera. The new kids' series Noah & Saskia, at least on the strength of the opening double episode, is a bottler. I found it excellent in all departments: storyline, acting, use of animation and graphics, even the interesting way computers are integrated into the plot. The first episode is a double (ABC 5.55pm Tuesday), but future episodes will be half hour and run at 5.25pm on Tuesdays. The series is produced by the Australian Children's Television Foundation and I must say is a credit to them. The concept is not exactly original but it has been given a new spin. Two teenagers who don't exactly fit in in their own environment, one in England and one in Australia, meet in a computer chat room where they adopt larger than life personalities. Each is smitten by the other's make believe alter ego. They join forces to produce an on-line comic book set in a prison camp that reflects (at some remove) incidents in the life of the English boy. If the standard of the opening is maintained this will be a very popular series. I don't know how kids will go for it, but I will certainly watch it! (Well, if I am home on a Tuesday afternoon, that is.) Fifteen out of the 19 terrorists who flew hijacked airliners into New York's Twin Towers and the Pentagon were Saudi nationals. Workers in Saudi Arabia who join trade unions have their hands cut off and hung up at the factory gates as a warning to others. Women are crushed to death under a truckload of rocks for the "crime" of adultery. Thieves are mutilated, consumers of alcohol flogged. Slaves are bought and sold. The members of the ruling clique — sorry, the "royal family" — squander colossal oil revenues and the bulk of the populace live in poverty. Who runs this medieval blot on the 21st century? The question is answered in The House of Saud, screening in the Cutting Edge timeslot (SBS 8.30pm Tuesday). It is made by Jihan El-Tahri, Beirut-born Arab filmmaker of dual French and Egyptian citizenship whose previous films include Israel and the Arabs and Islam and the Kalashnikov. The program includes archival footage and photographs and interviews with members of the ruling family, as well as former US government officials and executives from the oil company, Aramco. Clearly Jihan El-Tahri knows who really runs the country. Finally, two programs that should certainly be of interest to Guardian readers. The first is Dhakiyarr Vs The King, screening on Untold Stories (ABC 9.35pm Wednesday), the story of a racist murder trial followed pretty obviously by a racist murder. In 1933, on Woodah Island in remote northeast Arnhem Land, the Yolngu leader Dhakiyarr Wirrpanda speared to death a policeman, Constable Albert McColl, who had chained up Dhakiyarr's wife. To Dhakiyarr, the action was lawful on his land. On the advice of missionaries, he went to Darwin to explain his actions and his people's ways to the Northern Territory Supreme Court. He was found guilty of murder in a trial where conditions and justice were grossly stacked against him and was sentenced to hang. However, the sentence was overturned by the High Court and Dhakiyarr was freed. But he disappeared the day he was released and his family have never discovered what happened to him. I am sure they can make a pretty shrewd guess. The other program is Molly & Mobarak, screening in the Storyline Australia timeslot (SBS 8.30pm Thursday). It is the moving story of an Australian girl and an Afghan refugee working at the abattoir in the NSW town of Young. It is made by talented, committed filmmaker Tom Zubrycki. "This is a timely and revealing documentary which clearly illustrates the human cost of the government's unjust and hostile policies on asylum seekers", says Zubrycki. And Sacha Molitorisz, in The Sydney Morning Herald said: "Tom Zubrycki's doco is one of the best Aussie films of recent times. It's a revealing exploration of multiculturalism in Australia, but — above all, it's just a great film."