Culture and Life
by Rob Gowland
History
Bourgeois historians are engaged in a more or less permanent quest to explain historical phenomena in any terms but those of class struggle. They seize on real or supposed psychological quirks of individual rulers or leaders. They look to isolated natural phenomena, like volcanic eruptions, earthquakes or errant meteors; blame it all on a plague of grasshoppers or an outbreak of typhoid; or, failing all else, look for a change in the weather. All of these may be factors in major historical developments, but the overriding factor, the one that powers the process of development and change in society and the world, is the struggle between classes. The struggle of the ruling class to impose its rule, to strengthen it and to extend it, and the simultaneous struggle of the class or classes that are ruled to break free of its rule, to overthrow its rule, this is the engine that drives historical processes. Back in the days of socialist Eastern Europe, the GDR documentary filmmakers the Thorndykes made a film on socialism as a historical process. They called it The Old New World. The first part of the film used the visual medium to set forth in terms anyone could understand the materialist concept of history. Unfortunately, there have been very few other films or television programs that used the potentialities of the medium to educate the people in historical materialism. Bourgeois historians, however, are everywhere on television and with most of television under capitalist control it is logical that a colourful account of Henry VIII's marital difficulties will find an easier path to production than would a program on the rise of the merchant class. And yet The Six Wives of Henry VIII, despite how important they loomed in court politics, were essentially a side-show. The main event was the consolidation of a strong central monarchy, which was only possible with the support of the emerging merchant class. The merchants needed a strong central monarchy as much as the monarchy needed their support — and their money. The three main characteristics of the 15th and 16th centuries in Britain were the development of the manufacture of woolen cloth, the agrarian revolution (in which common land was enclosed by landlords and nobles and the peasantry turned off it) and the development of seagoing trade with centres as distant as Muscovy. Feudalism was giving way to a free market for the production and sale of commodities, the conditions out of which capitalism would necessarily arise in the 18th century. "The Tudor monarchy rested on the fact that the bourgeoisie were were strong enough in the Sixteenth Century to keep in power any government that promised them the elbow room to grow rich, but not yet strong enough to desire direct political power as they did in the Seventeenth" — A L Morton, A People's History of England. Morton points out that in the last third of the 16th century, "the English merchant class backed by the government was determined to break through the colonial monopoly that Spain had established in the West. "This ambition was shared by other North European sea-powers, especially the Dutch It was only at the expense of Spain and Portugal that English and Dutch... commerce could grow, since in Spanish and Portuguese hands lay all the areas outside Europe which seemed at that time to offer any possibility of profitable trading. "And for both England and Holland, small countries with no hope of expanding by land and with prosperous and pushing merchant classes, such colonial expansion was a condition of national development." Morton, whose ground-breaking book should be in every working class activist 's library, goes on to observe that "the war with Spain, especially in its earlier stages, was less a national war than the struggle of a class against its class enemies at home and abroad. "It was carried on mainly by the English merchant class both against Spain as the centre of the reactionary and feudal forces in Europe and against their allies in England, the Catholic section of the nobility. "Their Protestantism was the religion of a class in arms. ... Religious fanaticism reinforced commercial interest to give them an enemy who was not only fought but sincerely hated, and it was in fighting Spain that they came to a consciousness of their own strength. "Up to 1588 [the defeat of the Spanish Armada] the English bourgeoisie were fighting for existence: after that they fought for power. ... It was the merchants, with their own ships and their own money, who had won the victory and they had won it almost in spite of the half-heartedness and ineptitude of the Crown and Council. "The victory transformed the whole character of the class relations that had existed for a century. The bourgeoisie became aware of their strength and with the coming of this awareness the long alliance between them and the monarchy began to dissolve. "It might still need their support, but they no longer needed its protection. Even before the death of Elizabeth, Parliament began to show an independence previously unknown." Now wouldn't it be great if television used its power to illustrate "that" story, rather than David Starkey's trivialisation: "Drake must have wondered if the Queen would still welcome her pirate subject. "He was lucky. Elizabeth was fascinated by his adventures, and even more entranced by his loot."